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Backpacking Photography Tips

Backpacking Photography Tips

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Photography has always been an essential element of vacations. Since the first portable roll film camera was introduced people have been taking pictures of their travels. And backpacking trips into wilderness areas are certainly no exception. In this post I’ll be offering some backpacking photography tips to help make your trip a success.

My previous post, Backpacking Photography Gear Tips, went into some of the details of choosing the proper photography and backpacking equipment. This time I’ll give tips on photography while backpacking on the trail.

For the purpose of this article I’ll focus on some basic tips for working in the field which can help to free your creativity.

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Set a Goal

Setting a goal for yourself can vastly help in making better photographs. These goals can vary depending on a number of factors, such as:

  • Location
  • Season
  • Weather
  • Subject matter
  • Time available
  • Physical condition

On a backpacking trip you may need to place a limit on and be flexible with your goals. For example, if your goal is action/adventure photography your opportunities for landscape or nature photography will be limited. Or if your goal is to photograph dramatic landscapes but the weather is consistently gray,  consider changing your goal to nature details and or abstracts.

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Know Your Limits

Remember that your pack will most likely be fairly heavy, and will determine how far and fast you can travel. Don’t push yourself beyond your limit. Take it easy and break your hiking distances into manageable lengths. If you arrive at camp physically exhausted you won’t have much energy left for making good photographs. Unless the perfect image is right in front of your tent you’ll need to be on the move until after sunset.

Carefully research your trip in advance. Check out trip reports and maps, and pay particular attention to elevation differences from point to point. You may think that you can easily hike 15 miles in a day. However, that distance will be considerably less when throw in 3000′-4000′ elevation gain while carrying a full pack.

Also know your location. Backpacking in Wyoming’s Wind River Range is vastly different from backpacking in the North Cascades. In the Winds you gain elevation gradually with many ups and downs. In the North Cascades large amounts of elevation is gained either by endless switchbacks or straight up endurance tests.

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Know Your Subject Matter

This may be the most important tip I have to offer.

The best portrait photographers will always tell you this. Being keenly aware of, and bringing out the nuances in someones personality is the key to great portrait photography. This is also true for other subject matter, including landscape and nature.

One of the best ways of accomplishing this is to just sit and observe, be meditative. Consider the current catchphrase Light And Fast. Going light is good, but why fast, what’s the rush? Isn’t wilderness something to be savored? Aside from photography aren’t you also here to get away from the rush and complexities of daily living?

Slow down and think creatively, you’ll enjoy your trip more and make better images.

It’s easy to backpack into a beautiful area, set up camp, grab your camera and snap your brains out. However, when you get back home you most likely will have only snapshot quality photos.

While on the trail be observant of your surroundings. Take frequent breaks and enjoy the scent of the forest, and the sounds of the birds and streams. After setting up camp use this time to relax and restore your physical and mental energy.

Be particularly aware of how the light changes. The position of the sun and type of light can make the difference between a good and great photo.

See and photograph with your own eyes. Don’t set out armed with GPS coordinates just so you can replicate the other guy’s photo.

Know your subject and photograph deliberately.

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Selecting A Campsite

Ideally you’ll need to select a campsite, or base camp on longer trips, that is in close proximity* to your subject matter. If your campsite is a mile or more from that perfect mountain view or field of wildflowers you’ll need to rush to get there in time set up.

This is especially important at sunrise. It’s incredibly easy to just sleep in if you need to make a long pre-dawn trek to that great composition. Especially if it’s several hundred feet higher up. In a perfect situation you should have a variety of compositions to photograph within a quarter mile of camp.

If you’re backpacking in a National Park or Wilderness Area with camping restrictions your options may be limited. National Parks deliberately, and for good reasons, limit camping proximity to pristine locations. Always do your research and check in advance. In these situations you may have to plan on some extra legwork.

*Whenever possible camp only on hardened established sites, bare ground, rock, or snow. This may not be an option in very remote or rarely visited areas. Scroll down to read about minimal impact and Leave No Trace Principles.

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Location Scouting

Good location scouting begins at home while researching your trip. Trip reports and guidebooks usually include photo of the area. Poring over topographic maps can give clues to directions of light, and hidden features. Goggle searches of your trip area using different keywords can also reveal little known spots.

1.    If you planned carefully you should arrive at and set up camp early enough to have time to relax and do some scouting. Aside from obviously finding the best spots for compositions, scouting also gives you an opportunity to get to know  your subject better.

2.   Walk through the entire area, and look beyond the obvious. While the big snowcapped mountain may be the obvious dominant element, there may be other compositions more subtle yet just as inspiring. It’s easy to focus your attention on the main scene during golden hour and completely miss something even better in the opposite direction.

3.   Be aware of where the sun will rise and set in relation to the landscape. That perfect composition may be in shadow during morning and evening golden hours. This is particularly true in deep narrow valleys.

4.   Be observant of cloud and weather patterns. Some mountain ranges are prone to dramatic midday storms. However at sunset and sunrise the sky may be devoid of any clouds. Of course in some areas the opposite may be true. That gorgeous summit may be consistently shrouded in clouds at sunset.

5.   Look for key elements which can you can use in compositions. For a mountain scene, a foreground with a winding stream or a grouping of wildflowers can add movement and depth to the image. Objects such as boulders, a distant tent, or person can also add scale to the scene.

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Commit to Photographing

Face it, backpacking and the related chores of camping are a lot of work. But it’s only one half of the work you’ll face when you’re there to make excellent images. While other parties are sitting around camp enjoying the sunset, or sleeping late the next morning, you need to be on the move.

1.    Don’t be in a rush, plan in extra days. Good light and photography rarely happens on your schedule. An extra day or two in an area increases your chance of getting the light you want.

2.   Get accustomed to rising before dawn in the morning. How early you need to get up depends on how far you are from where you need to photograph. You can always get more sleep when you return to camp.

3.   Stick it out until it’s really over. Some photographers pack it up right after the sun sets or rises. Big mistake. I can’t tell you how many times it appeared like all the best light was gone, only for the sun to find a gap in the clouds and come back in full force. Sometimes you’ll be faced with a boring cloudless sunrise when a few minutes later glowing wisps or puffy clouds develop literally out of nowhere.

4.   Wait for the afterglow. Often, hidden beyond your view, there may be some atmospheric elements that create a beautiful long lasting afterglow.

5.   If the sky is clear of clouds and there is no afterglow it’s always worth waiting to photograph the Belt of Venus, and during the blue hour.

6.   Stay up late or wake up earlier for photographing the Milky Way.

7.   With the right conditions excellent images can be made throughout the day, not just during golden hours. Always keep you mind and eyes open to new creative opportunities.

8.   Wait out the weather. You’ve put a lot of time and energy into getting here. Stick it out if you can.

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Eat Well and Smart

Good nutrition is important to maintain the energy you need to sustain a high level of activity. There are endless books, articles, and opinions available to help guide you and confuse you on this topic. Everybody is an expert and will be happy to point out why their research is right and yours is wrong.

I’m not a nutrition expert but I have found out through experience what works for me and what doesn’t. Everybody is different. You’ll need to find a balance of taste, convenience, and nutrition that works for you, preferably in advance of a long trip.

1.    Whatever choice of foods make sure you bring enough. You’ll be burning a lot more calories per day than you normally would.

2.   Keep your menu as simple as possible, and look for dehydrated or freeze dried items to keep the weight down.

3.   For safety in bear country avoid foods with strong odors. Only prepare as much as you can eat, leftovers attract not only bears but also rodents.

4.   Try to bring items that can be prepared by just adding boiling water. The time you save can be spent photographing. You’ll also save weight on fuel.

5.   When on the trail stay well hydrated, and drink an electrolyte replacement instead of plain water. Over the years I’ve tried many, most taste horrible and are ridiculously expensive. I’ve gone back to Gatorade, it tastes better, is cheap, and it works for me.

6.   Bring enough energy bars (again, most taste horrible) or trail mix to last the duration of your trip. It’s also a good idea to pack a few special treats to break up the monotony.

7.   Supplements are optional and subjective. I always take a B Complex supplement daily. I find it helps in converting nutrients into energy, but that’s just my opinion.

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Leave No Trace

I’ve recently started to add this extremely important topic to all of my hiking posts. Don’t even think about visiting backcountry areas unless you are prepared to strictly follow the guidelines of Leave No Trace (LNT).

All national parks and wilderness areas throughout the world are under incredible pressure from growing amounts of visitors. Please do your part to help preserve these precious areas for future generations!

To learn more about the principles and practicing LNT please take a few minutes to visit the Leave No Trace Center for Outdoor Ethics. Your children and grandchildren will thank you!

Seven Leave No Trace Principles

  • Plan ahead and prepare.                                       
  • Travel and camp on durable surfaces.
  • Dispose of waste properly.                                                                         
  • Leave what you find.                                            
  • Minimize campfire impacts (be careful with fire), better yet don’t build one in the first place, they are completely unnecessary
  • Respect wildlife.  
  • Be considerate of other visitors.

Now that you have some basic understanding of working in the field, get out there and have some fun!

If you found reading Backpacking Photography Tips to be  enjoyable and informative please feel free to share it with friends and family

All photos appearing in Backpacking Photography Tips are available for Commercial Licensing and Fine Art Prints

Want to learn more? Take your Creative Photography to the next level with  Private Instruction and Guided Photo Tours.

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Backpacking Photography Tips

Backpacker Bugaboo Provincial Park

Backpacking Photography Gear Tips

Backpacking Photography Gear Tips

Backpacker Bugaboo Provincial Park Backpacking Photography Gear TipsBugaboo Provincial Park British Columbia 

For most people bringing back photos from a backpacking trip is essential. Who doesn’t want to share their adventure with friends and family on the social media beast?

The big question is what is the end use for those photos, and what photo gear should you take to meet that end? Ask 100 photographers that question and you’ll get 100 different answers. And there really are no wrong answers here.

For the purpose of this article I’ll focus on backpacking photography gear tips for photographers that may be in the advanced amateur to aspiring pro levels.

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It’s All About Weight

Get used to it, if you’re into serious photography while backpacking your pack will be heavy, period.

Only you can determine how much weight you can comfortably carry and for how far. There are endless variables which determine what you should or shouldn’t bring, such as photography goals, trip length, elevation gain, trail or off trail routes, and seasons, to name a few.

Basically though, carrying too much weight can turn your trip into a grueling muscle cramping ordeal. And at the end of the day you won’t have any energy left for photography. Believe me I know what I’m talking about here. For 20 years I lugged around a 4×5 film camera with four lenses, 18 film holders, a film changing tent, extra film, light meter, tripod, filters, etc. All this photo gear alone was well over 35 pounds.

So here are my gear tips for helping to make your backpacking photography trip more successful and enjoyable.

Disclaimer: The following tips are offered from my personal experience and preferences after many years of backpacking photography. What works for me may not work for you.

Backcountry camp North Cascades National ParkBackcountry camp North Cascades National Park

Photo Gear

There isn’t much you can do here for weight savings. You can’t shave off pieces of you camera or lens to cut down on weight. And this isn’t the category for scrimping on quality to save weight. My choice of photo gear may be on the heavy side, but it ensures high quality results.

  • Camera:

    One camera body. The best you can afford. It doesn’t matter if it’s digital or film or, which brand, as long you can change lenses. Make sure it has a high quality sensor with enough megapixels sufficient for your end use. A 20 megapixel body may be good enough for social media sharing, but not probably for making large format fine art prints.

    Pro Tip:   Pro or Prosumer level cameras are much more rugged, and have better weather seals than consumer level cameras. Something to consider if you regularly visit dusty, and or rainy environments, or are hard on your gear.

My Gear:
Nikon D850 Yes, it’s heavy, but it’s well built with all the features I need and more. It’s 45.7 megapixel sensor is outstanding for night sky photography, and mural size prints.
Really Right Stuff L Plate Used for quick release in conjunction with Really Right Stuff Tripod Ballhead.

Alice Lake camp Sawtooth MountainsIlluminated tent, Sawtooth Mountains Idaho

  • Lenses:

    Wide or ultra wide to short telephoto lenses will cover most situations. Again, go with the highest quality you can afford. It wood be ideal to bring just one zoom lens with a focal length from 20-200mm. However the quality of such a lens may not be optimum.

    Many photographers will swear by the quality of prime lenses, but for our purpose bringing an arm load of them isn’t practical. One wide angle zoom lens, plus a normal to short telephoto zoom lens would be a good option.

    Pro Tip:  High quality lenses are always more important than the camera body. The most expensive camera or post-processing editing app can’t make up for an inferior quality lens.

My Gear: 
Nikon 14-24mm 2.8 This lens is considered by many landscape photographers to be the gold standard of wide angle zooms. I can attest that it is extremely sharp, and has minimal distortion and chromatic aberration.
Nikon 24-70mm 2.8E ED VR  There are arguably smaller, lighter weight, and cheaper lenses in this focal length. But for me this lens has proven its worth many times over. It’s tack sharp, and the VR feature is outstanding for hand held work.
Nikon 70-200mm 2.8E FL ED VR  Again, it’s a heavy and expensive lens, but for me it’s high quality glass and features are worth every ounce.

  • Tripod:

    A tripod is an essential piece of photo gear. Night photography would be absolutely impossible without it. So would close-ups of flowers, long exposures of flowing water, and techniques such as focus stacking.

A tripod is also one item where you may be able to get away with choosing a lighter weight model. This is especially true if you camera body and lens combination is on the lighter side.

Many manufacturers offer tripods with three or four section legs. I prefer three, simpler, less parts that can fail. Also make sure your tripod is tall enough for your needs. Carbon fiber tripods are your best option, they’re slightly lighter than metal, and very durable. They also won’t freeze your hands in cold weather light metal does.

In recent years ball heads have become the standard, and I find them to be a vast improvement over older style handles and knobs.

Pro Tip:   Do not opt for an inexpensive poorly made tripod with plastic components! They are not stable and break very easily. I was once in desperate need of a replacement tripod while on location. All I could purchase was a cheap lightweight model. Even with everything locked down as much as possible it was like using a wet noodle to support my camera!

My Gear:
Gitzo GT 1532 Mountaineer Series 1
Really Right Stuff BH-55 Ballhead with quick release plate.

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  • Filters:

Polarizing Filter. Probably one of the most indispensable filters to bring along. Just be careful not to overdue the effect of darkening a sky. Also keep in mind their limited effect when using wide angle lenses.
Graduated Neutral Density Filters. I still find them extremely useful. But If you’re looking to save weight you could leave these at home, and produce their effect in post-processing. They are not always the best option in certain circumstances. However, when possible I will always prefer to use them to make the best exposure in the field, and not rely on post-processing techniques.

My Gear:
B+H Polarizing Filter
Lee Graduated Neutral Density Filters: Four filters; 1 & 2 Stop soft and hard edge.
Lee SW150 Mark II Filter System, necessary to accommodate Nikon 14-24mm lens

  • Miscellaneous Gear

    Extra Batteries. I always take three fully charged batteries, one in the camera and two extras. On a recent 10 day backpack I still had about half power left on my last spare. Be aware that mirrorless cameras may consume more battery power.
    Extra Memory Cards. 
    Remote Shutter Release. Weighs next to nothing and helps in reducing camera shake.
    Micro Fiber Cleaning Cloth. Essential for cleaning lenses and filters
    Camera Chest Pack. I find this optional item to be extremely useful. Not only does it give me quick access to my camera while on the tail, it also has room for small items such as trail snacks and maps.
    My Gear:
    Lowepro Toploader Pro 75 AWII

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Backpacking Gear

Here is where you’ll have the most opportunities for saving weight while on the trail. It’s also where you can spend or save lots of money. Once again how light you go depends on your destination, how long you will be out, and what season you’ll be backpacking in.

Going Ultralight is the catch word of the day, and gear manufacturers are cashing in on it big time. Just be aware that that ultra expensive ultralight gear may not be ultra durable, especially when the weather turns nasty, and after a few seasons of use.

Absolutely nothing is worse than sitting out wind, rain, and or snow for days at a time in a flimsy leaking tent.

Nearly every tent, backpack, or rain jacket on the market today will perform well in adverse conditions, at least for their first season. What gear reviewers won’t tell you is how well they hold up after a few seasons of use!

  • Backpack

    A high quality good fitting backpack is one of the most essential pieces of gear you’ll need for a successful and enjoyable backpacking trip.

    Pro Tip:   Forget that fancy expensive photo gear backpack. They are designed foremost to protect your camera and lenses while on the trial, everything else is secondary. You’ll quickly find that out when you’re several miles into a steep climb when that backpack has suddenly turned itself into a medieval torture device.

    Go with a pack specifically designed for backpacking. Use soft items in you pack, like clothes to protect your gear. Visit a reputable outdoor gear store and try on different packs. Speak with a knowledgable salesperson about what you need, a good one will help choose and fit the ideal pack. Keep in mind that to accommodate all your photo gear you may need a larger pack than you initially think.

    Pro Tip:   Do not buy a backpack from an online retailer until you have already physically checked it out and tried it on! Ideally borrow a friends for a short trip first to see if it works for you.

    My Gear: 
    Osprey Zenith 88 Osprey makes high quality packs for every type of adventurer. This is the most comfortable pack I’ve ever used.  Its suspension system is much more comfortable for carrying heavier loads than their popular Aether 85. Perfect size for trips over three or four days in length. Although it is a bit on the large size for a weekend trip.

North Cascades backcountry campBackcountry camp North Cascades

  • Shelter

    A good shelter is the next most important piece of backpacking gear.

    If you’re traveling light and fast, and are only concerned about making miles in gorgeous summer weather without any flying insects to bother you, then even a thin nylon tarp will do.

    But it’s a different story when you’re out for a week and the weather turns sour, with mosquitoes, flies, and gnats out in biblical proportions. Then you’ll wish for something a bit more substantial to protect you and camera gear.

Look for a lightweight tent with a silicone treated rain fly. I also like a tent with a vestibule large enough to protect items you don’t want inside the tent. Like boots and a dirty backpack.

My Gear:
Big Agnes Copper Spur 2. Super lightweight, easy to pitch, with two doors and large vestibules. This tent also comes in a one person size, but I like a little more elbow room.

  • Sleeping Bag and Pad

    For years I steered clear of down bags, mainly because  I felt they were a poor option in the rainy Pacific Northwest. However, now I’m an enthusiastic supporter of down. They’re like sleeping enveloped in a warm cloud. And they’re generally much lighter and more compressible than synthetic bags. A high quality down sleeping bag is not cheap so look at it as an investment. However, with proper care a well made bag will last for many years. Feathered Friends and Western Mountaineering make some of the finest bags around.

    Sleeping pads are essential for keeping those roots from poking into your back while sleeping, or for insulation when camped on snow. Options here are either a foam pad or an inflatable. I’ve used Therm-a-Rest pads exclusively for many years. They are incredibly comfortable with adjustable firmness, are lightweight, and compress down very well.

    My Gear:
    Western Mountaineering Badger 
    Therm-a-rest Classic

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  • Stove

    Another essential item for any overnight trip. The days of preparing your meals over an open campfire are long gone. Campfires above timberline are banned just about everywhere, and for many good reasons. Besides, cooking over an open fire takes an awful long time and is messy and dangerous.

    The two options are liquid white gas (Coleman Fuel) and butane mix canisters. Canister stoves are all the rage right now and I have a strong opinion regarding them.

    In my experience canister stoves are great for warm weather summer trips. However, when it starts getting cold their performance drops significantly, especially with a partially filled canister. On one winter ski trip I went through 2 whole canisters trying to boil a quart of water. The heat output wasn’t much better than a candle. Thankfully my friend had a backup stove and saved the day.

    The empty canisters are also very wasteful. Some canisters can be recycled, but why even bother if there’s another better option.

    Liquid fuel stoves perform well at any temperature, and do so to the last drop of fuel. They weigh only slightly more than canister stoves, and there are no empty canisters to dispose of.

    My Gear:
    MSR XGK. Yes, I know, this model is loud. But it heats like a blowtorch in any weather. Plus it’s both incredibly dependable and well built. The one I have now has lasted over ten years and is still going strong!

Titcomb Basin backcountry campWind River Range

  • Footwear

    Proper footwear is only second to a good backpack for comfort on the trail. There is a strong debate on leather boots vs lightweight trail runners. For years I’ve sworn by stiff leather boots with lugged soles. But on recent trips I’ve gone with lighter weight boots, and will probably move more towards trail runners in the near future.

    Pro Tip:  Be aware that if you’re backpacking in the mountains early in the season lightweight shoes may not be the best option. Hiking in snow for only a few minutes will result in very wet cold feet. In steep snow slopes you also won’t get much traction, and step kicking will be very difficult.

  • Other Gear

    Here is a list of other necessary items. They’re all important, but I won’t go into detail about them since it would require a separate article.

    Weather appropriate clothing
    Cookware
    Water bottle or hydration bag
    Water filter or other purification method
    Food, including trail snacks
    Map
    Headlamp
    Ten Essentials

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In Conclusion

This should provide you with enough gear tips to begin planning for your next backpacking photography trip. As I mention many times in this article, cutting down on weight is important. But so is your personal comfort level. This isn’t a contest to see who can have the lightest pack and hike the farthest. So what if you choose a slightly beefier tent, or need to bring another lens? It’s your trip and you can always make adjustments to your preferences in the future.

Now get out there and have fun!

Thanks for reading, feel free to share this post with you friends and colleagues! And make sure to check out my next post in this series: Backpacking Photography Tips

Backpacker on Titcomb Basin Trail Wind River Range Wyoming Backpacking Photography Gear TipsTitcomb Basin Wind River Range

If you found reading Backpacking Photography Gear Tips to be  enjoyable and informative please feel free to share it with friends and family

All photos appearing in Backpacking Photography Gear Tips are available for Commercial Licensing and Fine Art Prints

Want to learn more? Take your Creative Photography to the next level with  Private Instruction and Guided Photo Tours.

Backpacking Photography Gear Tips

Oxbow Bend Grand Teton National Park

Grand Teton Photography Locations

Grand Teton Photography Locations

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A photography trip to Grand Teton National Park can be a once in a lifetime experience. It can also be one in a series of return trips to photography the park in depth, and in all seasons. Whichever it is for you, photographing this gem in the national park system can be a daunting challenge. This is especially true if it your first visit to Grand Teton.

As I mentioned in my previous post, Grand Teton National Park Trip Planning, a visit to photograph this or any other national park can be a very rewarding experience. It can also be a disappointing exercise in frustration. Good planning and having enough time available to meet your photography goals increases your chances of success.

Since I’ve already outlined trip planning in my previous post, let’s start talking about locations. Grand Teton is a big park with dozens of great areas to photograph in. However, for the purpose of this article I’m going to focus only on some of the more popular front country road accessed locations. But first.

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Some Essential Tips To Remember

 Essential Tip #1:   Nearly all photography locations in Grand Teton National Park is best photographed in early morning light and sunrise. Of course this means you’ll need to get accustom yourself to rising very early and setting up on location before dawn. However, most of those same locations are also great for evening and sunset photography. But in Grand Teton sunrise has the edge.

Essential Tip #2:   Scout out your desired locations ahead of time. Leisurely walk around and previsualize compositions in advance. That way when you return in morning or evening you won’t waste precious time and light scrambling around wondering where the best compositions are.

Essential Tip #3:   Throughout this post I reiterate the value of photographing during morning and evening golden hours. However certain lighting conditions can make excellent photography possible during every part of the day. Just because golden hour is over is no reason to stop photographing. Have an open mind and be creative!

Essential Tip #4:   Be ready to encounter hordes of other photographers nearly everywhere you go.  Plan to arrive and set up in your chosen spot an hour and a half to two hours early. Yes, that means for sunrise photography you’ll be there in position while the stars are still out. Dress warmly, you’ll be standing there for a while! And expect to be elbow to elbow and lock tripod legs with other photographers.

Essential Tip #5:   Be respectful of other photographers and park visitors. For many of them this literally may be a once in a lifetime trip that they scrimped and saved for. Everybody wants to get that perfect photo from the best spot. But don’t be one of those jerks that pushes and shoves their way into the front. If you arrive late that’s your own fault, come back the next day, or better yet get creative and find a new composition nearby. And please be friendly. So many photographers can be reluctant to converse, as if they’re going to reveal a special photo secret or technique by talking to their neighbor. Grow up, we’re all here for the same reason, have fun you may make some new friends.

Essential Tip #6:   PLEASE, PLEASE PLEASE, be respectful of the environment! All of our parks and wild lands are being loved and photographed to death. If there are signs prohibiting entry or are roped off for restoration, don’t ignore them, no matter how tempting it may be to get that photo. It also should go without saying, don’t alter the scene by cutting down branches that get in your way. If necessary retouch unwanted objects out in Photoshop. Read more about Outdoor Ethics here.

Essential Tip #7:   Wildlife such as, bison, moose, and elk are abundant in Grand Teton National Park. All wildlife from bison and elk to squirrels and birds have difficult lives just trying to survive on a daily basis. Please give them a wide berth and strictly observe park regulations. Never ever, under any circumstances, for any reason, approach wildlife. They can easily be stressed and provoked into attacking. While you’re recuperating in the hospital, park officials will be busy destroying that animal. I’m sure that’s not in your trip plan.

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Mormon Row Barns / Antelope Flats

This are is one of the closest locations to the town of Jackson and offers a variety of photographic opportunities. Historic Mormon Row has several noteworthy structures, but the two iconic Moulton Barns are the biggest attractions here. Both barns are close enough that you can photograph both of them during the same golden hour session. However, if you have time available try for one and return the next day for the other. That way you can avoid rushing and finding another parking in the limited parking areas. This area also has some attractive old cottonwood trees to aid in compositions, which are especially nice in fall color.

Antelope Flats Wildflowers Grand Teton National Park WyomingAntelope Flats Wildflowers Grand Teton National Park #52085  Purchase

Antelope Flats is a great area to photograph carpets of yellow balsamroot wildflowers in spring. They make a wonderful foreground element to the dramatic snow covered Teton Range. Some of the best displays are in the vicinity of the Gros Ventre (pronounced “Grow Vaunt”) road. Early June is the best time of the year to photograph balsamroot and lupines in the Teton Valley. Again, you’ll want to thoroughly check out the entire area the day before to find where the best displays are.

Best time of day for photography:  Morning, though excellent in evening.
Best season for photography: Moron Row spring, summer, fall. Antelope Flats wildflowers, late May-June.

Snake River Overlook Grant Teton National ParkSnake River Overlook #67652  Purchase

Overlooks Along U.S. Highway 191/89

These include Blacktail Ponds Overlook, Glacier View Turnout, Teton Point Turnout, and Snake River Overlook. All, except perhaps Blacktail Ponds Overlook, have excellent wide open views of the Teton Range. Photography at these locations doesn’t get much easier, as compositions can be made a few steps from the parking lot. As you move from Blacktail Ponds Overlook in the south to Snake River Overlook in the North the view of the Teton Range changes considerably.

Snake River overlook is the most popular since it was here that Ansel Adams made his famous 1942 photo of the Tetons. Be forewarned that over the years trees in the scene have grown considerably. Today, because of this, the Snake River is partially obscured. The view is still wonderful though.

Best time of day for photography:  Morning, though excellent in evening.
Best season for photography: All Seasons

Schwabacher Landing, Grand Teton National ParkSchwabacher’s Landing Grand Teton National Park #67503  Purchase

Schwabacher’s Landing

This is one of the prime locations in the Grand Teton for photography, and one of the few accessible to the Snake River. Expects to see lots of other photographers here at sunrise.

There are several excellent options here, including the iconic view of the Grand Teton framed by trees reflected in the still waters of beaver ponds. This photo is a short walk north from the parking lot at the end of the road. It’s imperative to arrive very early, as the ideal composition is within a narrow range of only about four feet wide. Be polite, your neighbor will be photographing the same scene only inches away from you.

Schwabacher Landing Grand Teton National ParkSchwabacher’s Landing Grand Teton National Park #67383  Purchase

There are also two creekside (actually branches of the Snake River) areas that provide great photo opportunities. The first being along the trail to the beaver pond viewpoint. The second,  just as interesting but less photographed, is 1/4 mile back down the road. Both of them offer compositions where the Teton Range is reflected in the calm waters. There are also an abundance of cottonwoods trees here, making fall photography an absolute must.

Schwabacher’s Landing is a location that offers so many possibilities that you can easily just photograph just here if you only have a couple of days available in the park.

Essential Tip #8:   Be aware that this entire area is in a fragile wetland environment. Please observe signs of areas closed for restoration. This is also prime moose habitat. Be alert when walking through brush, I once came across a female and her calf here. If you’ve never seen a moose in person you’ll be amazed at how big they are. Don’t get in their way!

Best time of day for photography:  Morning, and evening. Beaver ponds photo, mostly morning.
Best season for photography:  Fall,Spring, Summer. This area is closed and off limits in winter to protect wildlife habitat.

Full Moon Grand Teton National ParkTeton Range from Cunningham Ranch #67608  Purchase

Cunningham Ranch

This is one of my favorite areas in the park for photography. It has excellent photographic potential but many photographers pass it over for Schwabacher’s Landing or Oxbow Bend. The views of the Teton Range here are outstanding. The western pole fencing make a great composition element. It’s also possible to access views along the Snake River, via a long walk through pastures. Occasionally you’ll see herds of elk, or horses from the nearby Triangle X Ranch grazing here, another great aid for compositions.

Horses Grazing at Cunningham Ranch Grand Teton National ParkTeton Range from Cunningham Ranch #49377  Purchase

Nearby on the East side of Highway 191/89 is the North access to the Shadow Mountain Dispersed Camping Area of the Bridger-Teton National Forest. A wide parking lot just outside the park boundary is the only place in the entire valley available for winter camping.

Best time of day for photography:  Morning, and evening.
Best season for photography:  All year

Oxbow Bend sunrise Grand Teton National ParkOxbow Bend Sunrise Grand Teton National Park #67699  Purchase

Oxbow Bend

This is arguably the granddaddy of all photo locations in Grand Teton National Park. The views of Mount Moran and the Teton Range reflected in the still waters of the Snake River are recognizable throughout the world. In addition this is a prime wildlife viewing area. You can often see Trumpeter Swans floating lazily on the water, along with moose grazing in the willows across the river. I once saw an enormous herd of elk fording the river here, a scene reminiscent of Serengeti migrations.

Oxbow Bend sunset Grand Teton National ParkOxbow Bend Sunset #67566  Purchase

You can also observe mobs of photographers, every morning and evening, every day. Don’t even think of finding a prime spot unless you get here well over an hour in advance of golden hour. Most photographers try for a spot at the parking lot edge, however there are plenty of excellent options among the willows along the river.

Aside from the view from the river there are also a couple other spots well worth checking out. This is one of the best areas in the park for fall photography, mainly due to the abundance of aspens groves and willows. About a quarter mile east of the Oxbow Bend parking lot is another pullout at the edge of large groves of aspens. During the height of fall color these tress make spectacular frames for the Teton Range.

Grand Teton National Park WyomingTeton Range above Oxbow Bend #52069  Purchase

Also, on the benchland above Oxbow Bend, there are great views looking down to the aspens surrounding the area, and out to the Teton Range. This view is accessed from the trails on the Christian Pond Loop. If you have the time it’s well worth returning to photograph these two areas after photographing the main attraction. And of course they’re another option if the riverside crowds are a bit too much for you.

Best time of day for photography:  Morning, and evening.
Best season for photography:  Hands down fall is best, but excellent throughout the year. Also one of the best locations in the park for winter photography.

Wildflowers Grand Teton National Park WyomingWildflowers Grand teton National Park #52034  Purchase

Pilgrim Creek Road

Between Jackson Lake Junction and Colter Bay Village is Pilgrim Creek Road. This approximately three mile long gravel road gives access to the Teton Wilderness in the Bridger-Teton National Forest. For photographers the first mile or so of this road gives access to some of the best spring wildflowers in the North end of the park.

Unlike wildflowers around Antelope Flats this area can be a bit more tricky to photograph. The peak bloom usually happens around early June, but a good show depends on a wet season. During a drier than normal spring there may not be a large enough bloom to make the trip worthwhile. Also, some of the best groupings may not be obvious from the road, so make sure to park your vehicle and thoroughly scout the area on foot.

Best time of day for photography:  Morning, and evening.
Best season for photography:  Spring

Grand Teton National Park in winterWinter along Teton Park Road #3725  Purchase

Teton Park Road

This long stretch of road encompasses everything from Moose Entrance in the South to the Jackson Lake Junction in the North. Beginning in the North the Potholes and Mount Moran Turnouts offer closer photos of the Teton Range, and in particular the Cathedral Group. In June this is also a very good area for yellow balsamroot wildflowers.

The main highlights of this area are the trails along Leigh, String, and Jenny Lakes. You can park at the Leigh and String Lakes Trailhead and do the entire loop hike. Or you can park at the Jenny Lake Overlook and walk only a portion of the trail. Either way this is the best place to get up close and personal photos of the Cathedral Group and Cascade Canyon.

Further south the Taggart Lake trail will take you to stunningly close views of the Grand Teton.

Essential Tip #9:   Leigh, String, and Jenny Lakes are best photographed at sunrise and early morning. The lake waters are more apt to be still and mirror-like at this time. Also, the close proximity here to the walls of the Teton Range will put most of the areas along the Teton Park Road in shade during the second part of the day.

Best time of day for photography:  Morning
Best season for photography:  Spring, Summer, Fall. Teton Park Road is closed in winter at Taggart Lake Trailhead in the South and Signal Mountain Lodge in the North. However, in winter this road is open to cross country skiing and snowshoeing.

Grand Teton National ParkTeton Range from Jackson Lake #67525  Purchase

Other Grand Teton Photography Locations

As mentioned earlier, this post covers only the more popular easily accessible locations for photography in Grand Teton National Park. There are many more opportunities to explore including these:

  • Laurence S. Rockeller Preserve
  • View points along the North section of Jackson Lake
  • Extensive trail system along Jackson Lake starting from Colter Bay Village
  • In the backcountry a network of trails gives access to the backside of the Teton Range, and includes numerous lakes, canyons, and subalpine meadows. All overnight backcountry trips require permits.

Camera Equipment Suggestions

What camera gear should you bring on a Grand Teton photography trip? In a nutshell, everything you have. Ok, maybe not everything, especially if you’re a gear junkie with dozens of lenses and camera bodies. But subject matter in the park is so diverse you’ll probably end up using everything from ultra-wide to telephoto lens.

Basic Essentials:

  • Tripod
  • Wide to ultra-wide lenses
  • Normal range lens
  • Telephoto lens; for landscapes up to 200mm should be fine, but much longer focal lengths if you also plan to photograph wildlife.
  • Polarizing filter
  • Graduated Neutral Density Filters;  I still prefer to use these in the field over creating the effect in post-processing. Although in some situations they are not always the best option.
  • Remote shutter release

In Conclusion

Combining all the information and tips in this post and Grand Teton Photography Trip Planning, you now should have everything you need to know to have a productive, safe, and enjoyable trip to Grand Teton National Park. Now get out there and have fun!

Essential Tip #10:   BE CREATIVE! Use you own eyes and mind. Just because there are 20 other photographers photographing the exact same scene, in the exact same position, with the exact same gear and settings, doesn’t mean that you have to follow suit. Photographing something in a unique and creative way could be as simple as just turning around to see what’s behind you!

Thanks for reading, feel free to share this post with you friends and colleagues!

Oxbow Bend sunrise Grand Teton National ParkOxbow Bend Sunrise Grand Teton National Park #67681  Purchase

All photos appearing in Grand Teton Photography Locations are available for Commercial Licensing and Fine Art Prints. Click on any image to purchase, or contact me for more info!

Want to learn more? Take your Creative Photography to the next level with  Private Instruction and Guided Photo Tours.

Related Blog Posts to Grand Teton Photography Locations:
Grand Teton Photography Trip Planning

Moulton Barn Grand Teton National Park

Grand Teton Photography Trip Planning

Grand Teton Photography Trip Planning

Moulton Barn Grand Teton National Park Grand Teton Photography Trip PlanningMoulton Barn Grand Teton National Park  #67219  Purchase

This post is the first in an ongoing series of articles intended to help landscape and nature photographers plan photography trips to big locations on a small budget.

Photography in Grand Teton, or any National Park, can be a very rewarding experience. It can also be a disappointing exercise in frustration. Even the most meticulous planning is not a guarantee of success. It all depends on what your goals are, and how much time you have available.

In this post I’ll be offering some planning tips and suggestions which can help increase your chances of success during a Grand Teton photography trip. Whether the end results are better vacation photos or portfolio quality images, they’ll also help you obtain a more enjoyable and memorable experience.

Planning A Grand Teton Photography Trip

Theoretically you can spend as little as a day in the park and come away with a few good photos. In reality that probably won’t happen. So I would recommend at least three days to concentrate on one, or maybe two locations. A better time frame would be a week. For a comprehensive trip to include all of the parks highlights, at least two to three weeks would be ideal.

Basically, make sure you have as much time available to meet your goals. And make those goals realistic, don’t expect to create portfolio grade images every morning and evening during your stay. It’s incredibly unlikely that you will have excellent light to work with during every golden hour photo session. On my last trip I spent two weeks in the park and had only one evening and two mornings of decent light.

Of course it’s also a silly notion to think that planning on just one trip to Grand Teton you’ll come away with award winning images from every corner of the park. Just like you can’t go to the grocery store and expect to buy all the food you’ll ever need if your lifetime. You’ll need to return again and again.

Learn to go with the flow, relax, get to know and interact with your subject matter. If you only come away with one or two good photos that’s great, you can always return another time. Good photography is about much more than grabbing trophy images, it’s a lifetime learning journey that should be savored, not rushed.

Guided Tour Or Solo

Once you determine how much time you’ll have available the next thing you’ll need to decide is whether to go with an established workshop/photo tour or do the trip on your own. There are many advantages and disadvantages for either option.

Photo Tour/Workshop Advantages:
-Led by a seasoned professional photographer with intimate knowledge of the park, and the opportunity of learning new techniques from a pro.
-Meals, lodging, and transportation usually included
-Being part of a group of a group dynamic

Photo Tour/Workshop Disadvantages:
-Limited freedom to photograph where and when you want
-Daily schedules can be very rigid
-Travel times and distances from lodging to locations can be great
-Cost can be prohibitive

Solo Photo Tour Advantages:
-Unlimited freedom, photograph where you want when you want
-Ability to lodge or camp where you choose, cutting down on travel time to         locations
-Huge cost savings

Solo Photo Tour Disadvantages:
-Extra research need to find best locations
-Finding lodging on the fly on a daily basis can be difficult
-Lack of assistance from leader or group members
-No one to share ideas or experiences with

During my entire career as a professional photographer I’ve traveled mostly solo. I love the freedom and flexibility associated with this mode of travel. And I know for certain that I’ve been able to get better photos because of it. So this is the mode I’ll be giving tips on in this post.

Grand Teton Photography Trip Planning: Seasons

Many photographers consider autumn to be the best. However,  Grand Teton National Park offers spectacular photographic opportunities in all four seasons.

Grand Teton National Park in winter Grand Teton Photography Trip PlanningTeton Range in Winter #4660  Purchase

Winter:  Planning a winter photography trip to Grand Teton requires more preparation and gear. In winter the Teton Park Road is closed to vehicles, as is the popular Schwabacher’s Landing. Antelope Flats and Mormon Row Roads are also inaccessible. However all the viewpoints along Highway 191/89 from Jackson to the Flagg Ranch in the north are open, including the famous Oxbow Bend overlooks. Snowshoes and cross country skis are an excellent option to access some of the easier areas of the park.

Most of the lodging and services in the park are also closed for the season. Lodging options are mostly in the Jackson area in winter, and camping is nearly nonexistent with just a few spots open in the Shadow Mountain area. With temperatures that can dip down to -30º you won’t have much company. But with the right weather and lighting you’ll come back with some rare winter images of the park.

Spring:  Since the Teton Valley sits at an altitude of just over 6000′ winter conditions can last well into spring. May would be about the earliest I would consider visiting for spring photography. Late may through June is the best time to visit for wildflowers. During this time many areas of the valley are blanked with brilliant yellow balsamroot and blue lupines, to name a few.

Antelope Flats and Gros Ventre (pronounced “Grow Vaunt”) roads, along with Pilgrim Creek Road near Colter Bay are among the best areas for spring wildflowers. Most of these areas are also wide open to include the snowy Teton Range as a dramatic backdrop for compositions.

Wildflowers Grand Teton National Park Wyoming Grand Teton Photography Trip PlanningWildflowers Grand Teton National Park #52086  Purchase

Summer: This is the high season for tourism in the park, and possibly one of the most challenging for photographers. This is not only because of having to deal with crowds, but also because of weather conditions.

During the height of summer high pressure ridges can create beautiful warm sunny weather, which unfortunately keeps the sky free of clouds. Most photographers consider blank blue skies and gray rainy days as some of the worst conditions to work with. With global warming in full swing these conditions can last well into September.

Along with those warm sunny days comes the yearly threat of wildfires. In recent years the park’s blue skies are often hazy with thick blankets of smoke. Another consideration of summer photography is that as the season progresses the Teton Range gradually looses its white cloak of snow. I don’t think I’m alone in feeling that snowy mountains look more attractive than bare rock.

Fall:  This is arguably the most popular season for photographers in Grand Teton National Park. Although the crowds of tourists and vacationers are mostly absent, there are now throngs of photographers to take their place. And for good reason. In a good year the changing colors of aspens, cottonwoods, and willows can be as outstanding as autumn in New England.

In addition to the lively colors of foliage, the changing seasons bring back storms that not only clear the air but also dust the range with a fresh coat of snow. Quite possibly some of the most sought after national park images in the country are those of the Teton Range in full autumn color after a snow storm.

Grand Teton National Park Wyoming Grand Teton Photography Trip PlanningSunset over the Teton Range #3966  Purchase

Grand Teton Photography Trip Planning: Lodging

Location, location, location. It’s all about location. And Grand Teton is no exception, it’s a big park with many great locations spread throughout it. Generally you’ll have time to photograph only one location during morning or evening golden hour. By the time you can reach the next spot the light will most likely have faded. And remember this isn’t a race or contest, slow down and appreciate where you are!

The closer you stay to your subject matter the better chance you have at being in right place at the right time. And you will be more relaxed and focused  when you get there.

Absolutely nothing is worse than planning on being at a certain spot before sunrise than being late because of hitting the snooze alarm one last time, and then having a long drive ahead. Stopped for speeding, or worse, hitting a moose in the dark during your haste? Ughh!

No matter where you stay, be it in a national park or forest service campground, or in a motel or resort, be prepared to make reservations well in advance or your trip, if possible. Even in the shoulder seasons vacancies in lodging and campgrounds can be difficult to find. Popular campgrounds will fill by early morning. Research and plan ahead. It’s no fun driving around in the dark after a long day trying to find a place to sleep.

In the Town of Jackson:  If you crave luxury and have deep pockets then look no further than the town of Jackson. Some of the most opulent hotels and resorts in the West are in this town, as are many chain and mom and pop motels. However, be aware that all of them will have a considerably higher price due to their location.

Also keep in mind that distances from the town of Jackson to many of the most scenic park locations can be anywhere from 15-35 miles. Not a terribly long drive, but back and forth to a motel over several days can really add up. And don’t forget that ideally you’ll need to be at your desired location before sunrise and until after sunset. So you won’t be sleeping in that expensive bed for very long.

Shadow Mountain Dispersed Camping Area  Bridger Teton National ForestShadow Mountain Dispersed Camping Area #67195  Purchase

In Grand Teton National Park:  There are seven lodging options within the park boundaries. These range from rustic cabins and ranches all the way up to the full service luxury hotel of the Jackson Lake Lodge. Depending on where in the park you want to orient your photography efforts, these facilities can put you just a few minutes from some of the most dramatic vistas in the park.

There are five official front country campgrounds in the park with varying amenities. At the time of this writing none of them are available for advance reservations. Most of them will fill to capacity before 10:00 a.m. Jenny Lake is one of the best and most sought after campgrounds. If you choose Jenny Lake campground be prepared to line up for a site well before sunrise, it routinely fills by 6:00 a.m.!

Bridger-Teton National Forest: There are several national forest campgrounds outside the eastern boundaries of the park. These include a couple on the Gros Ventre Road and on U.S. Highway 26-287.

In my opinion the most ideal national forest campsites are in the Shadow Mountain camping areas of Bridger-Teton National Forest. This area is in an ideal location  just outside of the eastern middle edge of the park. These sites are always my first choice when visiting the park. I know of at least one site here which has an incredible elevated view of the entire Teton Range and valley.

Camping in the Shadow Mountain area is free on a first come first served basis. Stays are limited to five consecutive nights. However it is primitive camping with only vault toilets and no running water. In addition, parts of the roads can be very difficult to negotiate, high clearance is advised and some can be impassable to trailers. As with everywhere else in the park vicinity these sites fill up early.

Grand Teton National Park WyomingHighway 191 Grand Teton National Park #49386  Purchase

Fees Passes Provisions Cell Signals

The entrance fee to Grand Teton National Park is currently $35 for a private vehicle and is good for seven days. An annual pass exclusive to Grand Teton National Park is $70. Note that both of these passes are good only for Grand Teton, they do not carry over to neighboring Yellowstone National Park.

Consider an America The Beautiful annual pass if you photograph in many national parks and federal recreations areas throughout the year. This pass costs $80 and is good for National Parks, BLM lands, National Forests and more.

Various amenities like gas, groceries, showers, and laundry services are available in several areas of the park. However, if you are on a budget plan to make a trip into Jackson to stock up on supplies. Park concessioners charge a premium for their goods. Although sometimes the cost of driving all the way back to Jackson is more than an inflated price for goods in the park.

Grand Teton is one of the few national parks where you can get a decent cell signal in most areas. In the vicinity of visitor’s centers and lodges you should be able to receive a signal strong enough to surf the web, and transfer small files. Further out it will probably be only one or two bars strong.

In the next post, Grand Teton Photography Locations we’ll go into detail about how and when to photographing specific locations in the park.

Thanks for reading, feel free to share this post with you friends and colleagues!

Oxbow Bend sunrise Grand Teton National ParkOxbow Bend sunrise Grand Teton National Park #67686  Purchase

All photos appearing in Grand Teton Photography Trip Planning are available for Commercial Licensing and Fine Art Prints. Click on any image to purchase, or contact me for more info!

Want to learn more? Take your Creative Photography to the next level with  Private Instruction and Guided Photo Tours.

Planning a Grand Teton Photography Trip

Castle Peak North Cascades

Manning Park Winter Photography

Manning Park Winter Photography

Castle Peak North CascadesCastle Peak North Cascades #64796  Purchase

Last week I made a trip to Manning Provincial Park for winter photography and skiing fun. Weather forecasts were for cold temperatures and a good amount of fresh snow. Perfect conditions to make some new winter photos.

Manning Provincial Park is a large park in southern British Columbia. It encompasses the northern reaches of the North Cascades Mountains, along the U.S. Washington State border. On the U.S. side the mountains present a rugged appearance with high jagged peaks. However, in Manning Park the range mellows out into high mountains with more rounded summits. Just north of the park the North Cascades ends, and gives way to the Thompson Plateau.

Gibson Pass Ski Area, Manning Provincial ParkGibson Pass Ski Area Lifts  #64771  Purchase

Skiing Manning Park

In summer hikers in Manning Park can find some great trails offering high views and meadows of wildflowers. In winter the park offers a network of cross country ski trails in addition to the small Gibson Pass downhill ski area. Backcountry skiers and snowshoers can also find fresh snow and solitude on the Fat Dog ski route to the Brothers Mountain group.

On this trip I took advantage of both the Nordic trails and downhill ski runs. Manning Park’s Gibson Pass Ski Area offers a bit of a unique experience in the Pacific Northwest. Most ski areas in this region receive a copious amount of heavy wet snow, often referred to as Cascade Concrete. Manning Park, on the other hand, often has colder powdery snow, due to its more inland location.

A few of other things sets Manning apart. For one it has a laid back retro feel perfect for families, and avoiding adrenaline junkies. Also, while the big resorts like Whistler Blackcomb charge a staggering $180 (Canadian) for a single lift ticket, Manning charges only $59 (Canadian). Plus, there are usually no lift lines. On my recent midweek visit, I skied directly onto the chair each time! The downside to these benefits is that there are only two chair lifts, with only one operating in midweek. The vertical drop is a modest 1400′.

North Cascades Winter, Manning Provincial ParkManning Park in Winter  #64780  Purchase

Winter Photography in Manning

While the Nordic trails are fun, they usually don’t offer much in the way of landscape photography. Therefore I made a point of taking advantage of the views offered from the top of the ski lifts. From the ridge top the views south into the Washington North Cascades are very good. The two dominant peaks in that direction are Hozomeen Mountain and Castle Peak. Further off west are the jagged peaks of the Mount Spickard, Mox Peaks, and the northern Pickets, in North Cascades National Park. To the north are the rounded summits of Three Brothers and Big Buck Mountains.

To photograph the twin summit towers of Hozomeen and the Pickets you’ll want to be on the ridge top early in the morning. However, unless you hike up to the ridge before dawn you’ll be limited by the ski lift schedule. The lifts open at 9:00 so you’ll miss sunrise. Of course depending on lighting and snow conditions you can still make good photos throughout the day. If you want to get to the top only for the views, you can purchase a one trip lift ticket for $10.

Later in the afternoon both Castle and Frosty Mountains will begin to receive warmer light. Note that until late spring the north faces of Castle and Hozomeen will be mostly in shadow.

North Cascades Winter, Manning Provincial ParkManning Park in Winter  #64783  Purchase

Timing is Everything

While having great light is always imperative in photography, another important consideration for winter photography is timing the snow conditions. In winter most of the landscape will have a blanket of snow over it. However, trees and forests without snow on them will become black holes for light against all that white.

In my opinion and experience the best conditions can be had just after a storm dumps fresh snow on the trees. This sounds simple and obvious, but it can be tricky. Often in the Northwest a warmer wet snowstorm is followed by sunny conditions, which melts snow off tree branches very quickly. That pristine scene can be gone within a few hours!

Frosty Mountain North Cascades British ColumbiaFrosty Mountain Manning Park  #64791  Purchase

Colder drier locations such as the Rockies present another dilemma. The snow can be so cold and dry that very little to no snow may adhere to tree branches. Unlike the coastal Northwest where wet snow acts like glue on everything. In cold locations and conditions a slight breeze can also remove the snow as easily as warm sunshine.

In the end winter photography can be much more fickle than photographing spring wildflowers or perfect autumn color. Depending on weather patterns where you live or are able to travel to, there may be only a couple of good opportunities a season. So keep a close eye on those forecasts and be ready to go at a moments notice!

North Cascades Winter, Manning Provincial ParkManning Park in Winter  #64778  Purchase

If You Go to Manning Park

Driving time to Manning Park is about 4.5 hours north of Seattle, and two hours from Vancouver. Winter camping is available, as are RV hookups at Gibson Pass Ski Area. Manning Park Resort also offers excellent lodge and cabin facilities, along with a restaurant grocery store and gas. Cell phone signal is limited to the immediate lodge area.

Want to Learn More?

Would you like to learn more about photographing in Manning Park and or winter photography? I offer full day, half day, and multi-day photo tours and instruction. Check out my Private Instruction/Tours page for more info, or contact me directly. I would love to help you take your photography to the next level and shoot like a pro!

Purcell Mountains British Columbia

How to Boost Your Creativity Back to the Basics

Purcell Mountains British ColumbiaPurcell Mountain Storm Clouds, British Columbia  #25556r  Purchase

How to Boost Your Creativity  Back to the Basics :  You hear it all the time in every field, from sports to science and everything in between. When you’re having difficulty being creative it always helps to start fresh and get back to the basics.

One of the first assignments I had way back in my days of art school was to go out and create images with only one lens. A 50mm focal length often called a normal lens. In addition the camera was to be set only on manual. Back then it wasn’t difficult to do since I only had one lens and my Nikkormat 35mm camera was manual only.

The point of this assignment was to learn the basics of exposure. By adjusting shutter speeds and f-stops, and not relying on technology to do the thinking for you. Limiting your choice of lens to only a 50mm also forced you to visualize your subject matter and compose more carefully.

Try this, find a small object, a flower, trinket, door knob, whatever. Set it up on a table and try photographing it with a normal lens. No filters or special lighting techniques allowed, just room or daylight. See if you can photograph it in a way that brings out an interesting aspect of the object. I  once worked with a woman who photographed through the bottom of drink glasses. A pretty dull subject matter, but she brought to life in a very creative way. I’ll always remember those beautiful colors and patterns.

In my art school drawing class we once had a pile of randomly arranged chairs which we had to draw over and over again for what seemed like forever. The point was to see shapes and patterns of interest in a seemingly mundane object. Not a lesson we enjoyed but effective nonetheless.

During my years working with large format view cameras these lessons paid off and further honed my skills. View cameras are basically just large boxes with a lens on one end. They have no form of auto exposure or auto focusing. In addition each sheet of film can be very costly both in itself and with processing. The result being a forced slowdown in methodology which sharpened my way of seeing more carefully.

Today with digital cameras it’s hard not to just jump in and let the camera do all the creative work for you. However if you want to be more creative turn off all those whistles and bells and put yourself in the driver’s seat for a change.

Another basic way to learn to see more creatively is to work in black and white. Monochrome photography strips the image down to the most basic of elements. It forces the viewer to see the subject in a more pure state. Take a look at your photos and do a quick conversion to black and white. You may notice that some images are pretty dull and lifeless when you strip out the color. You may also see flaws in the composition that aren’t as apparent with color distracting them.

Now this isn’t to say that monochrome is superior to color photography or vise versa. It’s just another way of seeing and a powerful tool creative every photographer can benefit from.

Of course boosting your creativity by getting back to the basics can be extended to post processing the film or digital files. But that’s a big topic for another post.

Imnaha River Canyon, Hells Canyon Recreation Area Oregon

How to Boost Your Creativity Learn From the Past

Imnaha River Canyon, Hells Canyon Recreation Area OregonImnaha Canyon Oregon #45023   Purchase

How to Boost Your Creativity Learn From the Past:  Here’s another easy way to boost your creativity. Study artists and photographers from previous generations. You can do this by visiting museums art galleries and book stores that specialize in art and rare editions.

A few years ago I made my first trip to the California coast. While photographing Big Sur I made a point of spending some time in Carmel. Carmel is the epicenter of early twentieth century landscape photography. It’s also the one time home to Edward Weston and Ansel Adams. I wanted to check out the galleries there to see original prints up close by many of those masters. Both the Weston Gallery and Photography West Gallery displayed numerous prints of both classic well known images, and many I’ve never seen before. I came away from there truly moved and inspired to go further in my own work.

Remember the Masters

In the over 150 years of photography there has been an enormous wealth of creativity that can offer lessons and inspire even the most jaded photographer. Of course everyone in landscape and nature photography knows Ansel Adams and Galen Rowell. However, how many know of Wynn Bullock, Minor White, Morley Baer, Don Worth and a host of others?

And what about photographers outside of the landscape genre? Does anyone remember Diane Arbus, Edward Weston, Imogen Cunningham, Robert Frank, Walker Evans and more? Does anyone also remember Alfred Stieglitz? He is the one man who did single handedly elevated photography as an artistic medium, equal to painting and sculpture.

These are just a few of the many who made their mark in photography. Their images have stood the test of time, and continue to inspire and move viewers generations later. If you are truly serious about your photography and you desire to move beyond clichéd images. Check out some of the names I mentioned here. You’ll soon realize that they are just the very tip of the iceberg. There are many newcomers to the field still pushing the boundaries of creativity. Have fun and enjoy the trip!

Lake Crescent Olympic National Park

How to Boost Your Creativity Second Tip

Lake Crescent Olympic National ParkLake Crescent Olympic National Park #53926  Purchase

How to Boost Your Creativity Second Tip

In my last post of How to Boost Your Creativity I spoke of photo sharing websites. In this post I’m going to talk a little about stepping outside of your comfort zone. Once again I’m addressing primarily landscape and nature photographers. Although these tips will work for anyone in a creative rut.

Today’s tip is probably the most important in helping you boost your creativity. It’s also one of the easiest to do and nearly guaranteed to bring quick results, or at least get you thinking a little different.

Tip #2: Look Beyond Your Genre. If you limit your online and print media exposure to magazines like Landscape Photography Outdoor Photography Nature’s Best, you’re going to end up with a severely myopic view of the natural world and what it should look like. Consequently you won’t experience much creative growth.

To truly get inspired get out of your comfort zone! To create something new you must look beyond your genre of landscapes and nature.

My first suggestion is to look to the commercial photography field for a change in scenery. Commercial assignment photography is often looked on as a dull unimaginative field. A field where photographers record what the art director and or ad agency dictated to them. However, over the years commercial photography has grown in leaps and bounds creatively. Now many photographers have blurred the line between commercial and true fine art. One example is my current favorite photographer, Colin Homes. His excellent work has earned him a thriving business in both the fine art market, and commercial photography.

Publications and Websites

One of my longtime favorites for creative inspiration is Communication Arts. CA has an extensive website, with resources for illustrators photographers and designers. They publish lavishly produced annuals for these and other fields in the commercial genre. If you enroll for a subscription make sure it includes the printed versions of the annuals. The photography side of CA often shows a surprising number of creative photographers. Many are nearly unknown in the landscape photo sharing circles. These photographers are creating astonishingly fresh images.

Another source I like to check out on a regular basis is A Photo Editor (APE). This site, built by Rob Haggart a former photo editor for several large magazines, showcases some of the more creative photographers working in both commercial assignment and fine art fields. Another aspect of this site I love is the regular sidebar feature of promotional mailers sent to Rob for review, lots of good stuff there.

While up to this point I focused on sources for inspiration in the commercial side of photography, it is also important to look to other segments such as editorial and traditional fine art. If you are strictly creating in color it would be a sore mistake to ignore what’s going on in the black and white world. Successful monochrome images utilize a different way of seeing that may not be apparent to those working in color, and some of those techniques are easily transferable.

A few more sources I like that may help I’ve you a creative boost are Photographer’s Forum Magazine and LENSCRATCH, the later of which will most definitely challenge your way of seeing the world. There are many more sources than those mentioned in this post in which you can check out with a little searching.

So in conclusion if you want to boost your creativity try and look to different genres for inspiration! See you next time.

How to Boost Your Creativity Second Tip

Isle of Skye Scotland

How to Boost Your Creativity Tip One

Isle of Skye ScotlandIsle of Skye Scotland #11807  Purchase

How to Boost Your Creativity Tip One

Everyone in the wide field of the Arts suffers from creative block from time to time. From writers and musicians to painters and photographers. No one is immune, and these periods can be very frustrating and occasionally depressing. Sometimes though only a small change of environment or way of looking at things is needed to get those juices flowing again.

In this and subsequent articles I’m going to address some ways photographers, specifically in the landscape and nature genre, can find inspiration. Ways to be more creative so their individual vision can shine through. Although I’ve been photographing quite a long time, and have a background, in the arts I don’t consider myself an expert by any means. These are just some tips and pointers I’ve learned throughout the years.

Define Creativity

Let’s start with the basics. What is creativity? Here is one definition:

creativity |ˌkrē-āˈtivitē| noun   The use of the imagination or original ideas, especially in the production of an artistic work.

Taking this definition in a strict sense is pretty tough. Yes, we all have an imagination, some bigger than others. But can we pull truly original ideas and concepts out of it on a regular basis? Hopefully some of these tips will give it a nudge in the right direction.

Tip #1: Use Online Photo Sharing Sites. Sites like 500px Instagram can at times be a wonderful source of inspiration to get your creative juices flowing. Be warned though, they can also be  an addictive trap that can stifle your creativity. Online photo sharing sites host a wide variety of talent. From photographers just beginning, to advanced professionals.

I mostly like to browse through some of these sites to research locations I may be visiting sometime in the future. It helps give me an idea of the photographic potential of an area. Unfortunately though I found that I rarely came away from these sites creatively inspired. There just isn’t much originality here.

Word of Caution

Spend even a short amount of time browsing through posted photos on these sites and you’ll begin to see a follow the leader mentality. Both in locations visited, and the trend of the day style of processing. One of the worst aspects of these sites, in my opinion, is that some have devolved into competitive venues. A forum where it is more important to accumulate Likes and Faves than it is to post creative content.

So yes, online photo sharing sites can be a good source of inspiration for your creative self. Just make sure it is only one of many tools in your kit. Don’t get sidetracked into a race to keep up with the next guy!